With four independent harmony voices, a variety of flexible harmony generating modes, and humanization features for more natural sounding performances, Harmony Engine gives you the tools you need to produce any vocal arrangement you can imagine. Harmony engine is also compatible with the Auto-Key plug-in, which is designed to save you countless hours in the studio by automatically detecting the key and scale of your music, and sending that information to Harmony Engine with a single click. Meticulously craft your own vocal arrangement note-by-note, perform your harmonies with your MIDI controller, or simply choose the chords and let Harmony Engine do the rest. Harmony Engine provides all the tools you need to produce lush and convincing harmonies. And five channels of our Choir vocal multiplier lets you turn each harmony voice into 2, 4, 8, or 16 individual unison voices. Harmony Engine features four high-quality harmony voices with independently adjustable vocal character, vibrato, and pan settings for realistic or extreme effects. It offers a variety of control modes, from fully automatic to individual control of every note. Whether you’re an experienced arranger, a songwriter looking for the perfect backup vocal, or a producer experimenting with unique effects, Harmony Engine gives you new ways to create the harmony parts you hear in your head. And of course the heroin of cookies.Harmony Engine – Automatic Vocal Harmony GeneratorĬreate professional quality harmony arrangements from a single track. Now I'm going to get back to making my Christmas cookies. Hope this gives you some ideas for work arounds.Īll the very best to you & your family this Christmas. In summary, autotune sounds best when mixed with stuff that is NOT autotuned (When these hymns were sung originally, most of the males singing it would have sung the soprano part, an octave down! My recording did the same thing.)Īdded a convolution reverb from an impulse sample from my lovely 900 year old local church. Two of my "soprano" tracks were shifted up an octave with auto tune. I recorded several versions of the soprano & alto parts, an octave down.
Soprano and Alto parts were more problematic. I shifted the whole thing to a convenient key. Despite being an atheist, I had to record it. I discovered a two hundred year old hymn, named after my home town. I occasionally record what I call my "a capella epics".
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